The Book Whisperer

Donalyn Miller is a 6th grade language arts teacher in Texas who is said to have a "gift": She can turn even the most reluctant (or, in her words, "dormant") readers into students who can't put their books down. Donalyn is the author of The Book Whisperer: Awakening the Inner Reader in Every Child (Jossey-Bass/Education Week Press). She first appeared in teachermagazine.org in the popular"Creating Readers" Ask The Mentor column. She writes about how to inspire and motivate student readers, and responds to issues facing teachers and other leaders in the literacy field. To reach Donalyn directly, email her at thebookwhisperer@gmail.com.

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Waiting to Exhale

“If you want to be a writer,” Stephen King says, “you must do two things above all else: read a lot and write a lot.” Reciprocal processes, reading and writing naturally fit together. The most prolific readers are the best writers, and my students and I write every day, as well as read. We inhale rich, powerful language, gain sustenance from it, and create our own ideas. We must read so we can write, and we must write so we have more to read.

This week, we are analyzing excerpts from our favorite books, examining how authors breathe life into their writing by using prepositional phrases. Each day, students select examples from their own books, and I provide one, too. I chose today’s model sentences from our current read aloud, Rick Riordan’s modern-day Greek Mythology adventure, The Lightning Thief:

“We were on a stretch of country road—no place you’d notice if you didn’t break down there. On our side of the highway was nothing but maple trees and litter from passing cars. On the other side, across four lanes of asphalt shimmering with afternoon heat, was an old-fashioned fruit stand (p. 25)”

We discuss how these prepositional phrases help us visualize the setting, then mark out the phrases and read the sentences again. While the passage still basically makes sense, we agree that there is not much imagery left.

I tell students, “My husband claims that fat and sugar carry flavor and without them, food is pretty boring. I suppose prepositional phrases are a sentence’s fat and sugar. Without them, you have a sentence as flavorless as rice cakes!” Having just given up sugar for Lent, I imagine my instructional analogies will be food-focused for the next forty days…

Students identify prepositional phrases in the sentences they collected, and remove them—comparing the flavorful sentences to the rice cake ones. Afterward, we look through our personal writing and choose sentences that need prepositional phrases to clarify ideas or add detail. We read, study how writers use language, and use what we learn to improve our own writing. We breathe in, we breathe out.

How can you teach reading without teaching writing? It shocks me when I hear about secondary school classes where reading and writing are taught as different courses. Same goes for those elementary school classes where writing is sidelined altogether. Writing often takes a back seat to its more-tested brother—reading, which demands more focus due to standardized testing mandates. Even when students write, most don’t engage in process writing—drafting, revising, editing, and publishing original compositions. Studies find that answering worksheet questions is the most commonly practiced writing task in America’s classrooms. Can we claim that filling in blanks on a worksheet counts as authentic writing?

What we need it seems is a national call to arms, a large scale effort to improve writing instruction. In response to this need, the National Council of Teachers of English (NCTE) released its latest report this week, Writing in the 21st Century . Written by Kathleen Blake Yancey, a prominent writing researcher and past president of NCTE, this report challenges educators to reshape how we teach writing, begs us to consider how writing authentically occurs beyond the classroom, and suggests targets for reform.

In addition to the report, NCTE has dedicated October 20, 2009 as a National Day on Writing . Inviting people to post their writing into its National Gallery of Writing, NCTE celebrates the diversity of American writing and its writers—from every life stage and sector. Submit your own writing, ask your family and friends to do the same, and spend some time this spring encouraging your students and their parents to contribute. Send the message loud and clear that writing is a valuable skill, and a vital form of human expression that deserves a prominent place in our lives and in our schools.

Comments

Can you imagine assigning a paper to the parents, or to the community at large? That would be fun! I'd like to show kids that adults also write. (My work is always up for them to see.) I don't know how I'd showcase parental or community work, but I'd love to try. Maybe I'd make a book with their work.

And it's also be fun to ask what books people are reading. At the beginning of this school year, we created a banner for our students to list what books they read over the summer. It was a minor success. We'll improve upon that idea next year.

(But to be honest, the writing process isn't all it's cut out to be. Most teachers think writing is about these steps that must be followed. Writing is nothing like this. Even Stephen King will tell you that.)

By the way, what kind of writing are you talking about: fiction or non-fiction?

In response to your comments, Andy, I agree that the writing process is not a lock-step progression for writers to follow. It is recursive and writers skip stages, revisit them, or engage in them simultaneously as the task requires.
I am talking about any writing: fiction or non-fiction.

I love the rice cake analogy! I will definitely try that with my 3rd graders... any kind of food talk is a hit with them.

We find ourselves scrambling each week to find time for writing, but our schedules are so packed that it's often difficult. I really like the idea of having the students use craft elements in what they read to practice in their writing--it seems so much more authentic and tangible for them. Here's hoping I can squeeze in some time for it this week!

Sometimes, dividing writing and reading into two classes is the only way a board or administration can get their heads around an extended literacy block. At my school, the two classes are technically split, but fluidly composed so that the intimidating spread of vocabulary, grammar, literature, spelling, reading tactics, critical thinking, viewing, representing, listening, speaking, study skills (and whatever else gets tossed into the "English" basket such as penmanship) is ALL tackled in a tag-team fashion between the two teachers. Writing happens constantly in both. Reading happens constantly in both.

When research shows us that students benefit from ample time to read during the school day...and then they're told that students should be able to write freely on a daily basis, and then they're given a laundry list of other skills to explicitly teach, how else do you squeeze it all into a single 50 minute class? They're offering us two classes? I'll take it!!! The key is in the teachers knowing that it's really one class.

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Donalyn Miller

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