There seems to be a social movement (or at least a book) suggesting that success in a professional career is not enough, that valedictorians are merely conformists, hard workers, even suck-ups, not the kinds of disruptive movers and shakers who change the world. But--should they be disrupters?
Recently in competition Category
June 01, 2017
March 30, 2017
I told my students I had assessed their prowess as musicians, and tried to divide the groups evenly, so nobody would be in the "top" band--or left behind. Our job was to play well all the time, to live up to our potential as performers--not to be better than the other band. It took a while, but this policy eventually led to greater achievement, especially from students who did not start out at the top of the skills spectrum.
June 30, 2016
All the good intentions in the world cannot override the conversion of a long-established public good into a profit-making commodity. I no longer believe that there is a magic legislative formula that will allow "good" charters to exist harmoniously with public schools. I now understand that the end game of unfettered charterism: privatization and exclusivity.
May 25, 2016
We used to believe, as public educators, that our product was our students--their eventual contribution as advanced scholars, civic-minded community members, and part of the labor force. All of that has changed. Our product now is publicly displayed test scores. Our data.
September 07, 2015
Education is not simply about constructing efficient delivery systems for the transfer of information--books and computers can do that. Education is about the building of relationships--between students and teachers, and among learners themselves. And schools, in all of their messy, noisy, confusing chaos, do this spectacularly well.
July 03, 2015
Here's the thing: you can be a superb, meticulous, demanding music teacher without being a hostile jerk. You can also be a driven, determined, even obsessed music student, bent on creative brilliance and perfection, without being inhuman or ruthless. In a movie supposedly about "what it takes" to achieve true excellence in performance, we never saw Fletcher teach, or drummer Miles Teller's ambitious character, Nieman, learn anything about music via guidance, example or instruction. Everything that was accomplished happened via psychological manipulation: Terror. Lies. Tricks. Bodily abuse. Even, God help us, suicide.